Meet 19 year old singer/songwriter @LillianHepler with “I Only Love You When I’m Sad”

LILLIAN HEPLER, “I Only Love You When I’m Sad”

Lillian Hepler is a 19 year old singer/songwriter who grew up in Utah and Arizona, with artists like Taylor Swift, Adele and Justin Bieber as inspiration. So naturally, she followed them on social media and took their lead when developing her own social media identity, particularly through Instagram and Tik Tok.  She’s got a gentle, sincere voice and approach which is captured in her new single “I Only Love You When I’m Sad”.  It’s a reflective song about regret – unintentionally using someone as a safety net after a relationship, but not wanting that new relationship to go beyond friendship… and not articulating this to that person.  Lillian definitely has a flair for concise and direct songwriting, and listeners will easily understand her perspective and enjoy how she gets it all across musically.  Lillian Hepler is someone from whom you will certainly hear more very soon.

Ireland’s @iamFourNights delivers a piano ballad from the heart, “Not This Time”

FOUR NIGHTS, “Not This Time”

After previously being part of a rock band, late last year Tommy Buckley branched out on his own with three singles under the guise of Four Nights.  One of those songs, “Want You Always” is resplendent in 80’s pop sensibility and currently resides at #11 on my personal chart.  “Not This Time” is a heartfelt piano ballad with a strong build up that never goes over the top. Tommy’s story is easily identifiable to anyone who listens and is carried by a vocal whose appeal relies on its authenticity.  The music of Four Nights isn’t flashy and doesn’t look to the latest trends to attract listeners.  “Not This Time” is an example of solid pop with interesting songwriting that’s produced to accentuate Tommy’s strengths, and cuts through the dross in much of today’s pop on its own merits.

Las Vegas neo-soul singer/songwriter @Sabrielmusic is back with old school sound of “Fox In The Henhouse”

SABRIEL, “Fox In The Henhouse”

Despite the common imagery of cheating in its title, “Fox In The Henhouse” by Las Vegas singer/songwriter Sabriel (pronounced shä brē el) is anything but ordinary.  I would like to place the music of Sabriel alongside that of Jessie Ware, who has bundled up disco and British R&B into a tightly woven, accessible package in her latest releases.  Sabriel’s music takes queues from the softer side of that genre, as well as the ballads of Janet Jackson, with even older school Nina Simone and Billie Holliday influences very apparent.  Her sultry voice is versatile, never getting tied down in a particular part of that voice within the song to make it seem one-note.  “Fox In The Henhouse” has a strong message about recognizing warning signs in relationships, but it goes down as easily on your stereo as it would in an intimate supper club.  After I enjoyed her previous release “Love Again” immensely, Sabriel continues to prove that she is a talent to watch and grow.

Boston’s @GillianHeidi returns with heartfelt and relatable “waves”

GILLIAN HEIDI, “waves”

With every release that I hear from Gillian Heidi, I hear growth, whether it’s in her vocal or songwriting.  In “waves”, it’s a little of both, a really tight and well-rounded song that ponders the pressures of becoming an adult, often feeling overwhelmed and in this case underneath the waves of life.  Her sound is similar to a lot of pop-folk artists coming out of England.  However with being in America, it seems more apt to compare her to Billie Eilish and Olivia Rodrigo and the like, though she’s probably right in the middle of it all.  “waves” will make you hang on every word and Gillian’s sweet vocal leaves a long, savoury aftertaste.

Buffalo NY native @LexxiRaine goes acoustic with the heartbreak of “Joker”

LEXXI RAINE, “Joker”

Although her direction is now headed away from alternative rock and into the Country music arena with her most recent EP Guilty, Buffalo NY’s lovely Lexxi Raine has a penchant for writing solid, often engaging and sometimes touching songs, whatever the genre may be.  Her latest single “Joker” is her own production while she prepares other songs for future release.  Stripped to acoustics, “Joker” is a cutting and affecting story of heartbreak, when you learn your relationship with your ex never even mattered to them.  It’s an interesting, relatable perspective and Lexxi’s bruised but reflective vocal shines in this purely pop setting. Check out the video above.

Meet England’s M. Pike @michaelpasut with edgy but thoughtful rocker “Worthy”

M. PIKE, “Worthy”

“Worthy” is a song that seems to belong in part to a couple of different eras, the post-grunge of the late 90’s when Green Day emerged, and the post-punk of the late 70’s when Elvis Costello and The Clash came into prominence. I’m not sure if that’s what Italy-born, London-based singer/songwriter M. Pike had in mind, but it certainly fuels his music with appeal.  Labeling himself as “the artist of new era”, “Worthy” is bold, edgy and thoughtful – my immediate comparison is to 80’s British rocker Pete Wylie (aka The Mighty Wah), right down to the spoken word reassurance to us all at the two and a half minute mark.  M. Pike’s voice reminds me of Wylie-meets-Billie Joe Armstrong, but with a soulful and more precise undercurrent. “Worthy” tricks you into thinking it will be an all acoustic jam, but the song ignites and you’re in for a pleasant, unique rockin’ ride for these times.

Meet Finland’s Lalalow with a dreamy song written with introverts in mind called “Sensory Deprivation”

LALALOW, “Sensory Deprivation”

With a title like “Sensory Deprivation”, you might expect some heady, minimalist, experimental electronic work that might just go right over your head.  Instead, meet the Finnish duo Lalalow (vocalist/keyboardist Nina Jackson and guitarist/bassist Tommi Laivamaa) who have put a lot of thought into creating a brief dreamscape with introverts in mind with “Sensory Deprivation”.  This is not to say that everyone can’t find something to enjoy about the song. The worthy idea here is that introverts (like yours truly) enjoy their time with themselves and do a lot of creative thinking, so why not channel that into a mellow, surreal escape, with Nina’s voice sounding like a cousin of Jessie Ware over lovely instrumentation full of subtleties.  At only 2:54, the song is over sooner than you are aware, making it well worth repeating.  So in the end, don’t think, just sit back, relax, and imagine…

British indie pop singer/songwriter @Jazz_Mino returns with a quest for “Happiness” from her new EP “Dirty Laundry”

JAZZ MINO, “Happiness”

There are people we come across in our lives that never seem happy, they always seem to put on a false front or a smiling face at the right times. When you’re in a relationship with someone like this, then it’s best that they move on, for the best for both of you because one day they will find that “”Happiness” doesn’t ever hurt”, as sings British singer/songwriter Jazz Mino.  It’s the new song and lead track from her EP Dirty Laundry, which includes her unique reflections on past relationships such as “Part Of This” and the exceptional “Like A Drunk Girl”, which reached #11 on my personal chart last year.  Like those songs, you must stick with “Happiness” to let it gel and get more personal with you. The thoughtful lyrics and vocal are surrounded by cheerful synths that help make the song – and especially its chorus – sparkle. 

Check out “Don’t”, dreamy electronic pop from Miami’s @calicamusic and Chicago producer Daniel Loumpouridis

CALICA and DANIEL LOUMPOURIDIS, “Don’t”

Calica is a singer/songwriter/producer from Miami who has paired up with Chicago songwriter/producer/arranger Daniel Loumpouridis for “Don’t”, which is culled from their EP called Lens.  It’s dreamy, almost low-key psychedelic and 80’s flavoured sophisticated pop for those who enjoy their music tastes outside of the mainstream.  Calica is a graduate of the University of Miami Frost School of Music who broke out within the last year on Tik Tok when an excerpt of her song “Little Girl” went viral.  She’s also recorded and collaborated with Grammy-nominated dance producers SMLE, whose music has graced these blog pages.  At age 17, Daniel Loumpouridis co-produced and co-wrote Louis The Child’s breakout hit “It’s Strange” (featuring K-Flay) and received notice from Taylor Swift and Lorde, among others.  He hasn’t looked back since, becoming a one-guy A&R, recruiting talent for the likes of Alex Da Kid. So with Calica’s well-honed vocal landscapes and Daniel’s layered electronic textures, it will be no surprise if this collaboration receives enough traction to quickly move them out of the indie scene, making it a good time for you to get to know them through “Don’t”.

In “You’re Mine” by @Cobimusic, the subject is finding a relationship’s middle ground

COBI, “You’re Mine”

L.A.-based singer/songwriter Cobi continues to release affecting and personal songs such as his latest, “You’re Mine”.  This one documents the struggle to find a relationship’s middle ground, when the singer’s own struggles prevent it from moving on to the next level, and put the relationship at risk.  “You’re Mine” is about wanting someone so much, and not knowing what to do about it.  Cobi’s powerful vocal resonates from deep within, but what could be a morose song is boosted by a fervid, sometimes bluesy rock arrangement that keeps you captivated instead of pushing you away.  I can’t wait to hear what Cobi’s songs will sound like when he has the opportunity to play them in a live concert.  And so above is a live clip that will give you a taste, with the studio version below.