“Tinseltown In The Rain” is a gorgeous, wistful #BlueNile cover by pop/electronic producers @MattMancid and @ColorTheory

MATT MANCID and COLOR THEORY, “Tinseltown In The Rain” (original and Big Rhythm mixes)

One doesn’t come along very often, but “Tinseltown In The Rain” is a classic example of a song that combines delightful synth work and rhythms with a wistful melody, courtesy of two pop/electronic producers, Germany’s Matt Mancid and California-based Color Theory (aka Brian Hazard). The song also conjures up images of Hollywood besieged by rain pouring down on all of the glamourous folks we associate with its yesteryear. It’s no surprise that it’s a bit reminiscent of an 80’s Alan Parsons-kind of release, but it’s actually an inspired cover of a track by Scotland’s acclaimed The Blue Nile from their 1984 album A Walk Across The Rooftops, and Color Theory’s engaged and passionate vocal totally nails it. “Tinseltown In The Rain” therefore is not to be overlooked, either in its original slower version or the powerful Big Rhythm mix, both designed for dancing. Matt Mancid and Color Theory last appeared together on my personal chart with “Headphones” back in late 2013, which quickly shot to #1. Could “Tinseltown” do the same?

It’s “10/10” #14!: @brightlightx2 & @caveboymusic @weareApolloLTD #Calvo @egzodmusic @HVNNIBVL @KidBloomusa @KiNGMALAmusic @Pawl_official & #Discrete @SteveVoidmusic #KaiStevens & @EmilyMcsings

It’s 10/10 – Edition 14!! 

This is the first 10/10 post since June.

In 10/10,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.  Songs by Yello and Jazz Mino that were featured in edition #13 are currently moving up on my personal chart 🙂

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • BRIGHT LIGHT BRIGHT LIGHT and CAVEBOY, “It’s Alright, It’s OK”

“It’s Alright, It’s OK” is the fourth preview from Bright Light Bright Light’s upcoming fourth album called Fun City. This time collaborating with the noted all-women Canadian trio Caveboy, the song is a reassurance for anyone who is having trouble with their identity that everything will work out in the end if you just be yourself. It’s another joyous delight from NYC-based Wales-born Rod Thomas, more of a pop/house workout like the initial single “This Was My House”, full of great synth work and vocals that truly compliment each other. “It’s Alright, It’s OK” is also available on an EP chock full of remixes.

  • APOLLO LTD, “Patient”

The Nashville duo of Jordan and Adam produced one of my favourite albums of 2019 called Out Of Sight, which demonstrated a range of different styles, from ballads to anthems. Apollo LTD are back with “Patient”, more anthem-styled power pop as a plea to the singer’s partner to help him be patient to get through whatever troubles are ailing him. It’s a logical successor to songs from Out Of Sight like “On The Way Up 2.0” which dazzle your ears with seamless production and vocals. Why a major label has not yet snatched up Apollo LTD for their roster is a mystery. The duo consistently provides well-written, quality songs that deserve radio exposure. Check out the new lyric video for “Patient” above.

  • HVNNIBVL, “Worth It”

Now based out of Los Angeles, Buffalo NY singer/songwriter HVNNIBVL quickly follows up his cheery slice-of-life single “Who’s Gotcha” with “Worth It”. Like “Who’s Gotcha”, “Worth It” sends positive vibes in your direction, particularly aimed at people with depression or anxiety whose condition constantly makes them ask themselves if they are good enough. Everyone has their moments in life, so it’s time to step out and shine. “Worth It” is self-produced and showcases HVNNIBVL’s great voice to the max. Sometimes the synth effects are too razzle dazzle to me for this kind of song, and less can often be more. But “Worth It” will certainly move HVNNIBVL more steps forward and I’ll happily be listening for the next one.

  • KID BLOOM, “Blood Sugar”

The L.A.-based singer/songwriter follows up “Wounded/Surrounded” (featured in my 13th “10/10” blog post) with “Blood Sugar”, which is also the title of his recently released EP. After a long relationship, thoughts and feelings always linger, and in Kid Bloom’s take, it’s like being inside your blood. So he sings about emotional entrapment set to a bass synth rhythm which pulsates like whatever is stuck inside his head. His invested vocal and an arrangement that shakes the mix loose of its dark trappings from time to time all make “Blood Sugar” a captivating listen.

  • CALVO, “Broke In Amsterdam”

German producer/DJ Calvo’s latest single “Broke In Amsterdam” has caught my ear with its shiny production that creates a delightful pop/dance confection. Co-written with the always amazing Daniel Volpe, “Broke” is a happy slice-of-life story reminiscing about younger days where life seemed more carefree. It’s just the kind of tonic we need to help us continue to get through these strange times. Calvo has numerous listeners in Europe, who have brought his song stream tally into the 50 million range. Perhaps “Broke In Amsterdam” will expand that audience further into North America.

  • EGZOD, “Ride The Wave”

“Ride The Wave” continues the evolution of Florida-based electronic dance producer EGZOD, about whom I’ve written several times since he arrived on the scene in 2016. More than around 20 million streams later, EGZOD – otherwise known as Carlos Carvalho-Martins – can shift flawlessly between the heaviest trap/dub step and much lighter fare, the latter applying to “Ride The Wave”, which I would call ‘mid-summer beach pop’. The spry uncredited female vocal is appealing and distinct, while EGZOD weaves more harmonies into this song than usual. “Ride The Wave” has some bold singalong moments and washes down as easy as gliding into shore from one of those waves. Watch for EGZOD’s new EP The Revolution next month!

  • KAI STEVENS and EMILY McNALLY, “Hero”

As Summer-themed tunes ride out the last sunsets of the next month, the arrival of a softer song or two for Autumn is always becoming the new season. Kai Stevens is a 17 year old producer and multi-instrumentalist from NYC who has emerged over the last year with songs that keep getting better and better. While this release is nowhere in the league of big productions by Illenium or other similar artists, “Hero” strikes the emotional chords that you would find in the progressive ‘sad boi’ electronica sub-genre. It’s sung by another young New Yorker, Emily McNally, whose graceful and delicate voice is compelling and convincing amid the bigger synth breaks within. “Hero” is a promising song most deserving of electronic dance music fans’ attention.

  • FETS, FORMAL CHICKEN & STEVE VOID, “Pushing On”

Don’t let the billing fool you – I think that “Pushing On” is entirely a Steve Void production. The talented young Dutchman has produced quite a variety of house and dance/pop releases on his Strange Fruits label over the past few years, and he has even opened his own restaurant! While he’s been mainly dabbling in covers of late, “Pushing On” is a brisk, deep house update of a more obscure 2014 track by Germany’s Oliver $ & Jimi Jules. It’s slick and goes down easy, with pitched-down vocals giving it qualities you’d normally find in a soulful UK house track.

  • PAWL & DISCRETE, “Type Like That”

“Type Like That” is a snappy, tautly-produced house single in a partnership between two Swedish producers, Pawl and Discrete. In tandem with direct support from LoudKult Records owner Lucas Estrada, with whom he has also recorded, Pawl’s music has acquired over 20 million streams across platforms since he emerged five years ago. Discrete is newer to the genre, having released an EP and a few singles thus far. But the guys have released one super-catchy, sultry song in “Type Like That”, which is a good bookend with last year’s release by Revelries and Oktavian called “Don’t Think Twice”. The song-writing here is spot on, calling out a long line of so-and-so’s who all behave the same, hence “you’re just a type like that”. This one will stick with you with repeated listens, so don’t say you weren’t warned!

  • KiNG MALA, “sugarblind”

KiNG MALA is the moniker for L.A.-based singer/songwriter Areli Castro, and her music will appeal to fans of Ashe, Bishop Briggs and Maty Noyes. It’s complex alt.rock with a tough exterior (“Mala” means ‘bad bitch’ in Spanish, hence “King Bad Bitch”), underneath which you will find infectious hooks and melodies that will take older fans back to the time of heyday of Kate Bush and Siouxsie Sioux. KiNG MALA is relatively new on the scene, with “sugarblind” her third single release and most streamed one to date. Great talent takes time to develop, so she is definitely one to watch in the coming years, and alt.rock radio should welcome her unique style.

You’ll smile while you boogie away to knockout instrumental “House Is Happiness” by @Stan_Sax

STAN SAX, “House Is Happiness”

“House Is Happiness” is everything that its title embodies.  It’s a sexy, fun instrumental where the saxophone rules, since it’s brought to you by German producer Stan Sax, aka ZEROBADDAYS, aka one half of the duo Saxity.  It’s a song in which jazz can do its happy dance with house music.  “House Is Happiness” comes on strong with Stan’s saxophone hook right out of the gate, and carefully steps back at around the 1:10 mark to offer us some repose before it cranks back up its whirlwind pace again 30 seconds later.  By the end you’re breathless, and “House Is Happiness” gets better each time you play it.  Bravo to you, Mr. Sax!

Published in: on August 11, 2020 at 9:01 pm  Leave a Comment  
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It’s 10/10 #13: @Yello_band @KidBloomusa @EbonyroseBuckle #DeanRobert @Jazz_Mino @Airportsmusic @Toniiamusic @Boye_Sigvardt & H. Kenneth @KenFleet @SC_Undercover @Mindchatter

It’s 10/10 – Edition 13!! 

A second 10/10 post in June to close out the month brings you a lot of unique music that requires your full attention in order to win your appreciation.  We cover the globe with songs from Germany, England, Ireland, Australia, Denmark, Switzerland and the U.S. with a dashes of mystery and fun!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order. 

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • YELLO, “Waba Duba”

The Swiss maestros that are Yello can orchestrate the best complex electronic nonsense even into their late 60’s and early 70’s, and have returned with their first release in three years called “Waba Duba” from their upcoming album Point.   “Waba Duba” recalls some of their best work of the 80’s, such as “The Race” or “Goldrush”.  Don’t try to confound yourself by trying to figure out if there is any plot to the song.  Instead enjoy the always-bizarre vocal and the layers of synths and samples that make some of the most unique sounds you will hear in pop music.  “Waba Duba” is loads of fun, destined to annoy the heck out of you like “Oh Yeah” did all those years ago while you groove to the beats.

  • KID BLOOM, “Wounded/Surrounded”

“Wounded/Surrounded” is an anthemic-sounding, atmospheric new melodic electronica release from L.A. singer/songwriter Kid Bloom.  The song takes you on a journey through a sea of emotions, wrought by the singer’s captivating voice.  When he sings without effects it sparkles and sometimes sounds like Frankmusik; at other points the song is awash in synths and vocal manipulation and because of it you can feel the bewilderment.  Alternately dreamy and thought-provoking, “Wounded/Surrounded” is an ear-grabber and well-worth your attention.

  • EBONY BUCKLE, “Ghost”

Ebony Buckle is a London-based singer/songwriter originally hailing from Australia.  She has a stunning, controlled, theatrical voice which immediately recalls Kate Bush and Imogen Heap.  And her pristine vocal puts all the right human touches in “Ghost”, a pop song that could have otherwise been a difficult listen.  It’s a true story about being physically apart for two years from husband (and co-writer) Nick due to visa issues.  And that is simply heartbreaking, a separation that could have been irreparable.  Instead, they wrote “Ghost” over Skype, turning their story into song so that anyone else in an unfortunate state of separation can relate and heal.  Be sure to give “Ghost” your complete attention.  It would also be perfect as set to a lyrical dance routine.

  • DEAN ROBERT, “Get Up”

It’s strange that even before I read up about Dean Robert, the other voice that came to mind when you hear “Get Up” is The Script’s Danny O’Donoghue.  For Dean also hails from Ireland and even opened for The Script when he was part of a band.  Now Berlin-based, “Get Up” is bright, energetic dance second release for the singer that will win you over. Dean’s voice may be a little bit too manipulated in the production at times but there’s a great melody afoot in “Get Up” and it moves along briskly and enthusiastically.

  • JAZZ MINO, “Like A Drunk Girl”

UK singer/songwriter Jazz Mino releases music that needs to be heard by more of you who enjoy interesting pop with idiosyncratic perspectives.  Her latest single, “Like A Drunk Girl”, is more about standing up for yourself and making your own decisions to do what you want than meets the ear.  The title is actually negative imagery for what other people might say to put you down, so you cave in and do what they say.  Jazz Mino’s always affable nature really shines through in this song which sings from both experience and the heart.  Check out the lyric video above.

  • AIRPORTS, “U Feel It 2”

You never know these days if an artist is a band or a singer judging by the names in use.  “U Feel It 2” is a delightful slice of romantic pop from Australian singer Airports (aka Aaron Lee).  It’s definitely a mood-setter with a subtler boy-next-door vocal that shies away from what would be called “boy band pop”.  The production focuses on the song’s lovely melody and there is definitely radio play potential here.  Check out what alternative video ideas occur above when Airports’ original plans were scuttled by COVID-19.

  • TONIIA and SUNNIE WILLIAMS, “Only Human”

Blending hip hop and trap flavours with electronics, German producer Toniia has released “Only Human”.  It features the strong and sultry voice of Sunnie Williams, whose vocal is the drawing power for “Only Human” for its first minute, before the beats kick in.  After that, the song is a sea of many moods with some big drops and synths that command “Only Human” until its finish.  It’s a fast listen at 2:49 with many sounds and qualities to perk up your ears.  Watch the lyric video above.

  • BOYE & SIGVARDT and H. KENNETH, “Party Sucks”

Don’t let the title fool you – “Party Sucks” is actually a dark slice of deep house music from Danish producers Boye & Sigvardt and Nashville’s H. Kenneth that will appeal to fans of recent work by Mahalo among others.  The classic house rhythm is the key with pitched-down vocals that make it perfect for a late night set.  And it’s cool that Boye & Sigvardt and H. Kenneth never get stuck in one style or groove, collaborating with UK producers Sondr,  creating diverse music that shows they would rather be innovators than producing the next wannabe house anthem.  

  • SC.UNDERCOVER, “Morals”

“Morals” is a standout song because it sounds like nothing else out there.  Brought to you by UK producer/songwriter/vocalist SC.Undercover, the song fuses pop and R&B flavours with drum ‘n bass vibes, making for a fast-paced ride.  At its core, the song is about finding love after making mistakes and experiencing significant regret.  The warm, uncredited female vocal is offset by SC.Undercover’s own vocals. At one point, he provides a gentle rap, and at other times hits upper register harmony vocals which remain fascinating and noticeable in the background, forming the song’s hook.  “Morals” is unconventional pop/dance music at its most listenable.

  • MINDCHATTER, “Language”

Mindchatter is a NYC-based producer of mystery who doesn’t identify him/herself in any of his Twitter, Facebook or Soundcloud bios.  “Language” is an intricate, somewhat experimental sounding song that’s intriguing because it seems to borrow from late 90’s Everything But The Girl and Roísin Murphy at their most daring, fusing it with other more contemporary sounds you might associate with label-mate ZHU.  “Language” is not for everyone but you have to admit it is one very cool, well-produced song, accompanied by quite a different visualization, above.

 

 

 

It’s 10/10 #11!: @YEBBASmith @Kseniasolo #VIZE & Tom Gregory @tgofficialmusic @DannyDeardenuk @thehim & @ambervanday Axel Mansoor @iamaxelm @Spencermusic @Xaverius Funk @djDWaynemusic @Melyzofficial @Brigsounds

A week or after the last one and I’m back with an 11th edition of “10/10”!  

I’ve just had a week where a slew of fantastic music was released.  I’ve had to continue to be selective with what I write about since my daytime job continues to keep me busy in the home office during the week.

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order. Three of the six debuts on my most recent chart were featured in the 10/10 blog feature.

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • YEBBA, “Distance”

“Distance” is a song many of us have been waiting for by YEBBA, the Grammy-award winning, rising singer from Arkansas who has already worked with Mark Ronson, Ed Sheeran, Sam Smith, A Tribe Called Quest, Stormzy, and Maroon 5’s P.J. Morton.  From her stunning indie solo debut in 2017 with “Evergreen” (which got to #4 on my chart), the musical red carpet was laid in waiting, and now YEBBA continues to walk that walk with “Distance”.  It’s a beautiful, laid back song, just perfect for these times in doors, that somehow fuses styles of Sade and Adele with the less likely soulful ones of long ago faves like Deniece Williams or Stephanie Mills.  And talk about an amazing vocal!! It’s also her solo major label debut for RCA, with an album coming.  Indulge in this one – I’m sure the album will be full of other gems!

  • KSENIA, “Fire With Fire”

Poised to break out with a powerful voice is Russian singer Ksenia.  Her recent single “Fire With Fire” also packs a memorable punch as a song, for what is a great vocalist without a great song?  Comparisons to JoJo or Demi Lovato are apt; her voice flows with such ease from note to note.  The acoustic moments sung over piano work as well as those with full instrumentation.  We’ll definitely be hearing much more from Ksenia in a big way!

  • VIZE and TOM GREGORY, “Never Let Me Down”

German producers VIZE have been fortunate to find major name support out of the gate since starting in 2018, with popular remixes for the likes of Sam Feldt (the much played “Post Malone”), Timmy Trumpet (last year’s excellent “World At Our Feet”), Alan Walker, Felix Jaehn, and Afrojack!  Together with British singer/songwriter they may just have an electric dance Song of the Summer of 2020 with “Never Let Me Down”.  The song is built around an insanely basic and instantly memorable hook.  The overall results are extremely polished, playful and well-sung.  “Never Let Me Down” could be a surprise breakout all over and is a must for dance music radio airplay.

  • DANNY DEARDEN, “Can’t Stop Me Now”

British singer Danny Dearden has been primarily known over the last few years as a songwriter or as a featured vocalist, working with dance producers such as Michael Calfan and Dario G.  “Can’t Stop Me Now” is a big step forward as a solo record for Danny through Sony.  And what’s fantastic is that the original co-write is such a no-brainer of an earworm, with a few undeniable hooks that leap out at you from your speakers.  The team he’s working with knows what sounds good, and at a later date I think that remixes will help this one resonate with club DJ’s.  “Can’t Stop Me Now” is a great start for a singer/songwriter with huge potential.

  • THE HIM and AMBER VAN DAY, “Tragic”

Games dramatic people play is the topic of “Tragic”, the latest release from Dutch producers The Him, following the wacked-out techno of “Freestyle Scientist”.  British singer Amber Van Day convincingly and stylishly recounts how well she saw through a previous flame before ditching him as someone who deemed himself to be “Tragic”.  It’s a fast eye-opener and perfect subject matter for the dance floor.  The Him seem to be on an appealing retro tip, once again offering up synths and effects that are cool throwback to the beginning of the last decade.

  • AXEL MANSOOR, “Cold Sweat”

“Cold Sweat” is a slightly more sultry new release from L.A.-based, Emmy Awards-nominated singer/songwriter Axel Mansoor.  It dropped a few weeks ago on the eve of his appearance as a contestant on NBC’s “Songland”, where he got to work with songwriter-to-the-stars Ester Dean (and perform for H.E.R.!) to polish up his great song “Scary”.  I’m hoping that delightful song receives a release, but in the meantime “Cold Sweat” is a fine new song with some witty lyrics recounting a tense situation in a rather calm and collected manner.  The record has a well-balanced mix of acoustic and band instrumentation, and features one of Axel’s best vocals.

  • SPENCER SUTHERLAND, “Help”

Part of watching a number of online festivals and performances over the past several weeks for me is always discovery.  Spencer Sutherland is a singer from Ohio who has performed with Ariana Grande and Zendaya, and also auditioned for the UK edition of The X-Factor a few years back.  He gave an outstanding acoustic performance in Elvis Duran’s recent online festival, and his latest release is “Help”.  It starts off as an unassuming vocal track that draws you in immediately – and then the bigger production kicks in to showcase his potent voice.  Spencer has a Sam Smith-calibre falsetto that is also a highlight in “Help”.

  • XAVERIUS FUNK, “Wicked” (D-Wayne remix)

I’m never gonna turn my back on a solid electronic banger with pop appeal.  Such is the case with the infectious 2-Dutch release “Wicked” by well-known Dutch producer Xaverius Funk, whose music has been supported by many of the biggest names in the biz including Hardwell and Steve Aoki.  “Wicked” also has the bonus of being remixed by another established Dutch producer, D-Wayne.  It’s a big and bouncy number that pulls out some retro vibes from dance music of the earlier part of the last decade that really make it work.

  • MELYZ, “Bad Together”

Could you ever be in a relationship where you’re “Bad Together”?  New British singer Melyz describes her thoughts about such an arrangement in this sly new original song.  Fortunately she places most of the could-be-lurid story up front, leaving lots of room for a dark melody, punctuated by a few well-placed effects, and deliberate rhythm to take hold.  Melyz rises above the song itself with a smart and seductive vocal delivery.

  • THE BRIG, “You Know”

“You Know” is a fun, rock-flavoured dance track from Russian producer The Brig.  He appears to have an established following in Europe over the past 5 years or so with a heavier dubstep style.  “You Know” strays from that path, and revvs you up with guitars and synths, then catches you off guard with the casual interjections of the title by a female voice throughout.  “You Know” is also a good one to play up loud in the car.

 

 

 

It’s 10/10 #10: featuring @jessemccartney @wallflowerperry @francescoyates @FLouisemusic @Slavesofficial @Saxity @ErenAB @PhenixRedmusic @TepNomusic @Proxxxy

It’s 10/10 – Edition 10!!

I’ll be completely upfront – there is far too much music being released right now that I enjoy and can write about. 

My playlist of new songs ‘for review’ every week ranges sometimes from 60-90, not including submissions of EP’s and albums.  I’m totally loving all of the variety and selection.  I don’t enjoy not being able to write about everything I hear that I like.  So the blog posts for now are coming to you with a lot of scrutiny.  Another ’10/10′ feature will follow in the week too!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order. An example is “All On You” by Nashville electronic producer Super Duper, which just flew into my Top 10 this past week at #6.

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • JESSE McCARTNEY, “Yours”

Rumoured to be part of the returning disguised celebrities in “TheMasked Singer” (USA) season three, Jesse McCartney is also back with his first new single in two years with the somewhat revealing indie release, “Yours”.  Recently engaged himself, this song publicly offers Jesse to his fiancée, warts and all.  It also puts listeners on notice that there is a whole other side to the lives of our celebrity faves that we never see.  In any case, “Yours” is an enjoyably honest release, with Jesse’s voice often drifting into falsetto, emphasizing the soulfulness that often appears in his songs.  It’s the start of a new project after the one that started with “Better With You” (which got to #6 on my chart in 2018) was shelved. So in 2020 we have lots more from Jesse to which we can look forward!

  • VICTOR PERRY & CAL1, “Missing”

Originally recorded as a sparse but effortless piano-and-vocal version of the Everything But The Girl classic in late 2016, NYC-based pop/R&B singer Victor Perry revives “Missing” in an atmospheric production that has little to do with the 90’s original except with the popular refrain.  He teams up with German producer Cal1 to flesh out the rendition into a unique take that I could hear in a placement at key points on a TV episode or in a movie.  And with some meltworthy high notes once again being a major selling point, “Missing” (along with current single “Lost Boy”) will help us all get through to a new Victor Perry EP, coming very soon!

  • FRANCESCO YATES, “Superbad”

It’s hard to believe it’s been over 5 years since “Better To Be Loved” became a huge radio hit in Canada.  My fellow Scarborough native Francesco Yates has all the chops to make that happen again, and I’m confident it will!  After a few softer previous releases, “Superbad” is a party and a half!  There are Justin Timberlake influences throughout and a climactic soulful scream that will compel you to take notice.  Francesco has also been taking advantage of these times and performing and chatting online on various platforms.  “Superbad” is definitely a positive new chapter for him. Check out the short video preview of a short film of “Superbad” above.

  • FRANCESCA LOUISE, “Out Of Sight (Out Of Mind)”

London singer/songwriter Francesca Louise is a new voice to get to know well with “Out Of Sight (Out Of Mind)”.  She cites classic singers like Carole King and Joni Mitchell as influences, but she has a soulful edge that neither of them have that will work to her advantage.  In fact it puts her potentially in the same league as someone like blog fave and Grammy winner YEBBA.  The song is also a reminiscence of someone who is in fact “not out of mind”.  “Out Of Sight” starts off rather unassuming but by the end you are sold on Francesca, who looks to be a unique new talent for whom to keep a watch out. 

  • SLAVES, “Talk To A Friend”

“Talk To A Friend” is the latest single by American rock quintet Slaves.  The band has dedicated following that was nearly fractured by the departure of their lead singer last year, who was replaced with a rather unlikely voice – that of Matt McAndrew, who you know as a memorable second place finisher on “The Voice” about 5 years ago.  And while the aftermath of “The Voice” attempted to shape Matt into more of a pop-flavoured vocalist, he is perfectly at home with harder rock.  In fact his effortless voice, along with some blistering dual guitars and propulsive drum work, totally anchors “Talk To A Friend”.  Fans of Linkin Park, Billy Talent, Chris Cornell, and 3 Doors Down will have a blast with the music of Slaves. 

  • SAXITY, “Complicated”

The German production duo Saxity are back with another foot-stomping, toe-tapping, sax-laden release called “Complicated”.  Not to be confused with Avril Lavigne’s 2002 hit, this one is about one person in a relationship being the ‘complicated’ one, while the other wants more to keep figuring her out.  And a good time can be had doing so on the dancefloor where tropical-tinged rhythms and synths flesh it all out.

  • EREN AB, “Beauty Lies With You”

New York-based producer Eren AB’s “Beauty Lies With You” marks the return of the Tipsy label which has some more fine new electronic dance and pop music on its way.  Direct, well-made and catchy, “Beauty Lies With You” also has a comforting and positive message for all.  The arrangement is lined with subtle synths and some ear-tugging percussive sounds, with a friendly uncredited male vocal weaving the storyline.

  • PHENIX RED, “Bad News”

With one album under her belt was well as songwriting credits with the likes of Jadakiss and Cassidy, Nashville-based singer/songwriter (and recording studio owner) Phenix Red is poised to break out with stylish and memorable songs like “Bad News”.  Taking bits and pieces of influences that might be from Christina Aguilera, Pink, Ariana Grande, Kate Bush and others, and Phenix Red fuses them together into a darker brand of her own. Alt.rock and college radio stations would take to “Bad News” instantly, and I highly recommend the song to anyone who likes to push their boundaries on a daily basis.  There’s definitely a lot more than meets the eyes with Phenix Red!  Check out the imaginative video, which she directed and edited, above.

  • TEP NO, “Sippin’ On Feelings”

“Sippin’ On Feelings” is a gentle, summer-flavoured, radio-friendly new song by Canadian producer and remixer Tep No.  Not much is known about Tep No.   He has acquired a huge following through breaking into the industry at the same time as streaming sites.  Tep No has also opened for the likes of San Holo and The Chainsmokers, and has been signed to Ultra Music for a few years, but like others, is looking for a big breakthrough song.  “Sippin’ On Feelings” has a warm, uncredited guy-next-door vocal that helps give it some noteworthy charm.

  • PROXY, “Nervous”

Russian producer Proxy is well-known to lovers of more hardcore dance/electronic styles, which generally stray outside of my wheelhouse.  “Nervous” is pretty heavy-hitting, but once clubland reviews, I think we’ll find excerpts of the song added in the mix at peak points in an evening.  Its entire vocal is a sample of a woman swearing… the rest is left to your imagination until you listen!  There’s a lot of impressive synth work throughout; I keep hearing classic Yellow Magic Orchestra or Ryuichi Sakamoto in my head.

 

The dynamic duo of @itsLeviofficial and Victor Perry @wallflowerperry return with the enchanting deep house of “Lost Boy”

LEVI and VICTOR PERRY, “Lost Boy”

German producer Levi and NYC Victor Perry are back to dazzle us again with the enchanting new single “Lost Boy”.  The pair previously reached #3 on my chart in 2017 with “Sail” and also brought us the bubbly “Moonlight” not long after.  “Lost Boy” is more of a natural follow up to “Sail”, alternately gentle and captivating thanks to a familiar, bassy deep house rhythm carried by acoutic guitar work (reminiscent of Mako’s “Breathe”) over which Victor weaves his vocal magic.  “Lost Boy” quickly draws you in and keeps you there with its affecting chorus “I’m a lost boy with a treasure of gold, and I’m trying to find my way home” hitting the emotional chords.  The song also has tremendous club potential which I think could be unlocked even more by some remixes.

Published in: on March 5, 2020 at 10:12 pm  Leave a Comment  
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It’s 10/10 #07: @Hunternoneon @saxity @francescoyates @revelriesmusic @mahalo_dj @shuhandz @brendanreilly @mattfaxmusic @listentoTrove @spencerbarnett @deepchillsmusic @wearefury @micahthezealot @garethemery @nashmakesmusic @linneyofficial

10/10 #07

The 10/10 feature is back!! In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

tenoutoften 07

  • HUNTER and ROSHIN, “I Don’t Forget” (extended mix)

Toronto’s Hunter Siegel is known for his many No Neon club shows and for being a respected producer, DJ and remixer.    2020 brings us his latest EP I Might Forgive, I Don’t Forget, and its lead track “I Don’t Forget”, in partnership with newcomer and fellow Canadian Roshin, is a memorable, pounding, gritty deep house club banger.  It’s dark and haunting and is an easy centrepiece around which club DJ’s can build a set.  If you like music by Faithless, The Chemical Brothers, and Bobby Nourmand then “I Don’t Forget” is for you, particularly in its extended mix above.

  • SAXITY, “Forget Me Nots”

The German production duo Saxity returns and brings some long lost Patrice Rushen back to “Forget Me Nots”.  That’s because the melody of the song is long associated with its smash sample in Will Smith’s “Men In Black”.  But that was 1997 and 23 years later an uncredited female vocal in classic R&B style gives this great song new life amid the usual classy Saxity production including the requisite spiffy sax solo.  “Forget Me Nots” is a great and overdue cover choice!

  • FRANCESCO YATES, “I Got You”

My fellow Scarborough, Ontario native singer/songwriter/guitarist Francesco Yates offers a silky smooth retro-flavoured ballad in “I Got You”.  As I’ve seen several times in concert, Francesco can rock it out with the best of them but also kills it with a soft, romantic song, which we haven’t really heard since his 2014 debut on “Honey I’m Home”. And there’s a brilliant soulful falsetto as well that brings shades of Justin Timberlake at his best.  Like “Honey”, “I Got You” is tender and sincere and may be a welcome throwback to the Francesco Yates sound that most people got acquainted with in the first place.  Don’t let this one slip through the cracks.

  • REVELRIES, BOYBOYBOY and WILL CHURCH, “Fall-Out”

2019 brought us my favourite Revelries release thus far with the infectious “Don’t Think Twice” (featuring Oktavian) reaching #2 on my chart and finishing at #11 for the year.  Spicing it up with some funky touches and a staccato kind of rhythm, “Fall-Out” is a bit softer but a grower alongside other songs by the Netherlands-based Emirati production duo like “Naked” or “Handle”.  “Fall-Out” is a collaboration with production trio Boyboyboy and England-based German-born singer Will Church.  There’s a lot of instrumentation in the mix and with the mystique of Will’s vocal and a compelling melody, it all gels together nicely.

  • MAHALO & SHUHANDZ and BRENDAN REILLY, “Sweet Spot”

Coming off of his biggest record to date last year called “So Cold”, L.A.-based producer Mahalo continues to be busy making great music like his new one “Sweet Spot”.  Never one to get fixed with similar melodies and beats, “Sweet Spot” has an airy, jazzy quality about it in partnership with fellow L.A. based producer Shuhandz and a dreamy vocal by England-based American singer Brendan Reilly.  If you recognize Brendan’s voice then you’re a fan of Disclosure’s Grammy-nominated Caracal album, where he was featured in “Moving Mountains”.  “Sweet Spot” is a tidy mix that ends before you know it in just under three minutes.  Club DJ’s with a soft spot for jazzy vibes will take to this one.

  • MATT FAX and TROVE, “Animal”

“Animal” is an atmospheric release by French producer Matt Fax with vocals by one of Australia’s favourite go-to voices for dance music, Trove, known most recently for his work on Famba’s Canadian radio hit “Wish You Well”.  “Animal” has seductive, dark qualities about it, that keep getting richer until Trove’s vocal stops entirely.  And that’s when an extended coda takes over, which DJ’s will absolutely love for mixing purposes.  Though only just into his 20’s, Matt Fax has been working with all of the best labels for European house so 2020 could be the year where we hear much more original music from him.  “Animal” definitely amps up the intrigue and Trove’s vocal glides beautifully through it all.

  • SPENCER BARNETT, “I’m Fine”

Spencer Barnett is a talented L.A. teen with massive pop appeal if his latest single “I’m Fine” is any indication.  It’s the title track of his latest EP in which Spencer sings to justify why he’s okay, whereas the sullen melody may convince you otherwise.  Its moodiness captures the complex sentiments of today’s teens who were too young when One Direction peaked about 6 years ago, which makes him an instant draw for the lovelorn and heartsick among them.  His indie charm is proving successful so far though with a club date coming up in February in NYC.  So I think we’ll be hearing more from young Mr. Barnett in the coming year.

  • DEEP CHILLS and NOT FAMOUS, “Backfire”

Italy’s Deep Chills spreads his tropical vibes into the winter months for us with the savvy mix of pop and dance genres in “Backfire”.  The song features a delightful vocal by L.A. singer/songwriter Not Famous and a memorable bridge and chorus that will waste no time turning into a singalong.  Deep Chills doesn’t make you forget that the song at its production roots is a dance record so you can waste no time busting a few moves as well.  “Backfire” is a playful and bright release that deserves your attention.

  • WE ARE FURY and MICAH MARTIN, “Echoes”

“Echoes” is the hard-hitting recent single from Vancouver production duo We Are Fury from their two-song EP called Dusk, which also features the compelling instrumental, “Resistance”.  Taking cues from Illenium and Seven Lions and other progressive-minded producers, Stuart and Joachim bring Iowa singer Micah Martin on board for alt.rock atmospherics that will transport you back to the mid-2000’s heydays of My Chemical Romance and Linkin Park.  “Echoes” will be a force unto itself in a live set in the same way that Illenium’s “Blood” (from Ascend) leaves audiences spellbound.  We Are Fury definitely brings all of the goods with “Echoes”.

  • GARETH EMERY & NASH and LINNEY, “Yesterday”

Melodic dance music has a fascinating way to draw you in, and through its various iterations in the sub-genres of dance music, I hope that it will always be present.  After his return with Ashley Wallbridge for last year’s album Kingdom United, UK producer Gareth Emery continues in 2020 with the beautiful “Yesterday”.  Working with newcomer and fellow UK denizen NASH, they take a few cues from early 80’s electronic music by employing the lovely voice of American singer Linney, who is no stranger to dance music and recalls vocalists like Maggie Reilly and Annie Haslam.  “Yesterday” flows and pours out a positive message about leaving behind what should stay in the past.  It keeps you locked in for its just over 3 minutes, and then of course wanting more. 

“Another Dimension” mixes old school trance with contemporary progressive house, courtesy of German’s @MartenHorger

MARTEN HØRGER, “Another Dimension”

If you’re looking for music mixed with old school trance by the likes of The Chemical Brothers or early BT, but mixed with contemporary progressive house that you’d hear on a Fisher release, then Marten Hørger’s “Another Dimension’ will have no problem winning you over.  It’s familiar but incredibly playful, as you’ll find when you reach the halfway mark and this remarkable, attention-grabbing pause occurs and then rebuilds over 40 seconds, reminding me a lot actually of the mid-section of “Setting Sun”.  Club DJ’s will enjoy how the song will keep their crowd on the dance floor not knowing what to expect next.  “Another Dimension” is the kind of song that will gain traction over the coming months and into winter festival season.

Published in: on January 3, 2020 at 10:17 pm  Leave a Comment  
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Germany’s @_Aniqo has an alt.pop breakthrough with the feel-good video of “LoveLife”

ANIQO, “LoveLife”

In quite a contrast to other recent and often darker releases, Germany’s ANIQO – singer, songwriter, producer, and film-maker – returns with “LoveLife”.  The song is an alt.pop celebration of freedom, people, and of course love of life.  And what better way to convey a message with a smile and a hug, just for no reason at all?  As the video shows, most people are receptive to a few moments of unbridled joy, while others still resist.  And in Europe, a 30 year celebration of the fall of the Berlin Wall shouldn’t go unrecognized, so “LoveLife” captures the anniversary of a triumph of freedom and democracy too.  The video is well shot with many humorous moments and ANIQO shows off her video-making skills as well as creating her most positive and diverse song to date.  Be sure to check out “LoveLife” above.

Published in: on December 8, 2019 at 10:39 pm  Leave a Comment  
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