#BILLCSNewMusicReport – October 26/22 spotlighting new music by @GATTUSO_Music @ZakAbel @M22official @EllaHenderson #TASBA @Fiorious @AustinAtomusic @DAmicoandValax and much more!

After a lengthy course of writing blog posts about individual songs, I’ve launched the BILLCS New Music Report to showcase a week’s worth of new music at a time every Wednesday. In this way I can cover more of the songs, while also linking the Report to the growing online radio world, in which I am very present these days. I think it’s the future for what used to be on radio and has now been replaced by crass commercialism that just happens to play music – the same music, over and over and over.

The first section is called SPOTLIGHTING, which focuses on my five most notable new songs of the week. Then, there’s another section called FEATURING with several more cool new songs. Both sections continue to feature You Tube links to the songs. The “10/10” feature may return and will be worked into this new format.

I’ve also brought aboard my very good radio friends Russ Horton and Hunter Wilbur, and of course my best friend of over 40 years, James Rogers, into the Report to offer their expertise. Russ and Hunter will give their own picks of the week every week, and James brings us his Classic Five of the week – wonderful pop hits of the post-Beatles era that the younger readership in particular should get to know.

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me @billcs on Twitter @thebillcs on Instagram or @BILLCSMusicProjects on Facebook.

SPOTLIGHTING

GATTÜSO and ZAK ABEL, “I’ll Be There”

Following up the recent “Afterglow” (which reached #8 on my chart), NYC-based Israel-born dance producer GATTUSO has a winner with “I’ll Be There”. It’s led by a committed and driven vocal by dance music mainstay ZAK ABEL, whose underlying rasp makes the infectious chorus even more affecting. GATTUSO’s rich production gives “I’ll Be There” a warm ambience which will be greatly appreciated by regular club dance floor denizens.

M-22 and ELLA HENDERSON, “Heartstrings”

German-UK production duo M-22 released one of my favourite songs of 2019 with “White Lies”, which promptly got to #1 on my chart. And after ELLA HENDERSON’s recent teaming with Nathan Dawe on “21 Reasons”, she was the right voice for “Heartstrings”. Her urgent vocal reminds me of Robyn at times circa “With Every Heartbeat”, and the chorus and drop are undeniable.

TASBA, “Inner Child”

TASBA (aka Tanya Barrera) is a new electronic dance producer from Denver who has loads of potential. It’s no surprise that her song “Inner Child” was picked up immediately for release. It’s got a gentle house vibe that TASBA lifts using a snappy rhythm with various shifts within the melody, which keeps the pace moving. “Inner Child” is the kind of song you’ll hear in a club and want to Shazam right away, and is a good start for an artist who is finding her niche stylistically and is also playing live gigs as well.

FIORIOUS and AUSTIN ATO, “Feel So High”

NYC singer/songwriter FIORIOUS and Scottish producer AUSTIN ATO make a formidable duo with “Feel So High”, which just oozes creativity. The song has early 80’s electropop roots that somehow translate into a fast-paced house track that’s guaranteed to be a dance floor filler. The highly energized vocal by FIORIOUS keeps “Feel So High” sizzling.

D’AMICO & VALAX and RICKYSEE, “So Close”

“So Close” is a fierce deep house track by Italian producers D’AMICO & VALAX and Detroit-based singer RICKYSEE. Taking its cues from early 90’s European house, “So Close” rides an aggressive rhythm layered with synths that play into a powerful chorus. Club DJ’s wanting to keep their dance floor full and the vibe relentless should insert “So Close” midway through a key set of the evening for best results.

FEATURING

CARLY RAE JEPSEN and RUFUS WAINWRIGHT, “The Loneliest Time”

I can’t go without mentioning “The Loneliest Time” – the title song from CARLY RAE JEPSEN’s new album – because of the presence of fellow Canadian and longtime personal fave RUFUS WAINWRIGHT, who can truly be a chameleon when he wants to be. His sublime vocal slides behind Carly Rae’s lead and gives the song added and unexpected dimension. Both singers sound fab and clearly enjoyed making this one.

LUFTHAUS and ROBBIE WILLIAMS, “To The Light”

“To The Light” is the most compelling track on the new EP Soul Seekers by LUFTHAUS, a Germany-based electronic project led by none other ROBBIE WILLIAMS! He’s probably one of the least likely names you’d find associated with trance music but Armada believed in it enough to release it. It’s in stark contrast to the 25th anniversary of Robbie’s debut solo album Life Thru A Lens and perhaps a timely shift in direction. Early hits like “Millennium” and “Rock DJ” offered electronic backdrops and sharp melodies. And Robbie’s vocal here broods and works so well over a familiar if linear landscape. Definitely work checking out!

SUNNERY JAMES & RYAN MARCIANO, BRUNO MARTINI and MAYRA, “Closure”

A tribal backdrop gives “Closure” a more progressive sound than usual from electronic dance music faves SUNNERY JAMES & RYAN MARCIANO and BRUNO MARTINI.  MAYRA’s powerful vocal seethes with internal anguish and gives “Closure” a strong emotional core. It’s definitely a sidestep for the producers from creating bangers, but “Closure” shows their strong and inspired collaboration at work.

EGZOD and BERTIE SCOTT, “The Way Out”

Florida-based electronic dance producer EGZOD (aka France-born Carlos Carvalho-Martins) has worked hard for just more than the last half decade developing his brand of melodic progressive songs. And it’s paying off – “The Way Out” has landed release on Spinnin’ Records. It also features the recognizable voice of UK go-to dance music singer BERTIE SCOTT. The song is long on melody and shifts into a breathtaking whirlwind in the last minute which is major icing on the cake. This one has all kinds of sync possibilities for film, TV and video games.

MARTIN LUKE BROWN, “grateful”

“grateful” is a warm welcome back to British singer/songwriter Martin Luke Brown, who brought us a splendid slice of soulful pop back in 2015 with his major label release “Take Out Of Me” (which got to #7 on my chart). Since that time MLB (has he is often called) has been mainly writing songs for others, and “grateful” is his first release since 2018. It’s a gritty but inviting track that echoes the raw 60’s vibes of The Beatles and their contemporaries while being channeled through late 70’s punk of the likes of Elvis Costello.

FRANKMUSIK, “Complete Me Completed”

“Complete Me Completed” signals a wrap to the new FRANKMUSIK version of his 2009 album Complete Me. The full album will be released soon as a new package but in the meantime all of its songs have been re-recorded and re-vamped. “Complete Me” is full of soaring FRANKMUSIK vocals that will make you think songs from his 2014 album By Nicole. The production is full of subtleties and power that are customary with a FRANKMUSIK release. What his task did though was take a lot of very good songs stuck in 2009 trappings and made them so much better.

HUNTER, “Closer”

L.A. based singer/songwriter Hunter Elizabeth rebrands herself as HUNTER on her new EP Hello: My Name Is HUNTER. After seeing some success with a year long residency at a popular L.A. club and a connection with Willie Nelson’s son Lukas that opened a lot of doors for her, HUNTER proves her versatility and how to craft a 3 minute pop song with “Closer”. It’s an upbeat love song about celebrating with those closest to you after the difficulties we experienced in the pandemic. Her bright voice highlights a song that is set out to show you a good time, and provides a welcome introduction to the EP.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs more than 20 times/week on online radio stations around the world.

“Together” by L.A. pop duo CAPITAL CITIES and L.A.-based electronic dance producer BOBBY NOURMAND

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is the owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca.

“Runaway To Mars” by Canadian singer TALK

HUNTER J. WILBUR’S PICK OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

“See The Light” by Nashville-based singer/songwriter STEPHEN SANCHEZ

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

“She Loves You” by THE BEATLES (1964)

“(I Can’t Get No) Satisfaction” by THE ROLLING STONES (1965)

“House of the Rising Sun” by THE ANIMALS (1964)

“I Get Around” by THE BEACH BOYS (1964)

“I Want To Hold Your Hand” by THE BEATLES (1964)

BILLCS Top 30 #1 SONG

“Jimi” by FRANCESCO YATES

BILLCS Top30 HIGHEST DEBUT

“Charlie Be Quiet” by CHARLIE PUTH

#BILLCSTop30 #651, October 24/22

I have decided to call my new blog format the “BILLCS New Music Report” and it begins on Wednesday. This will be a weekly, more newsletter-styled format in which I will be able to cover more music than I can using the song-by-song format I’ve used for the last several years. I’ll also be able to build each blog post gradually during the week instead of deciding that day whether I will write about something or not. This will be a work-in-progress and your suggestions will be welcome to help make it more readable each week!  It will also tie-in my work in ONLINE RADIO SHOWS more, since they are now a big part of my life.

I’ll be frequently reiterating that if independent artists, producers and managers who want exposure in my blog – over 13 years in existence with a tie-in to online radio – they need to communicate with me.  I will however also continue to promote and write about songs/artists I discover on my own. My personal chart, the BILLCS Top 30, has been online since 1998,  and I’ll continue to write it up and count it down every second Monday. The “10/10” feature, where I write about 10 songs all in one post, may find its way into the BILLCS New Music Report.

The best places to communicate with me continue to be Twitter @billcs or Instagram @thebillcs or Facebook @BILLCSMusicProjects. Follow this blog using the “Follow” button at the bottom of the home page.

With such a strong playing field for this chart, Francesco Yates’ “Jimi” shows that it has long legs into its 8th appearance on the chart (16 weeks) and remains on top for a 2nd appearance!

It’s been very rare for a Billboard #1 to hit #1 on my chart in recent years, but Steve Lacy’s unique and memorable “Bad Habit” rises 4-2 and positions itself to perhaps do that in two weeks. Did you know Steve was part of Calvin Harris’ Love Regenerator project on “Live Without Your Love”?

It’s short and sweet but also keep your eye on “The Boss” (above) by Coopex, Charles B and Robbie Rosen (6-5) in two weeks too. It’s been stuck behind a lot of great songs these past few weeks, and is Robbie’s 2nd concurrent Top 10 along with “Stained Glass” at #7.  Robbie also has a fine new dance release with none other than DubVision called “Stitch You Up” which you can check out below!

Luca + Giam and Sam Merkin waste no time following #3 “Hold Me Down” into the Top 10 as “Full Force” takes advantage of a quieter part of the chart to leap 12-6.

That also allows “Celebrate” (above) by Laurentius and Oke to make another big move and slide into the Top 10, up 15-9!  In preparation for their EP Jaiye, another track called “Run” has been released which you can hear below.

“But Not Tonight” moves up 13-10 for Paul Van Dyk and Christian Burns, giving each their second Top 10’s on this chart.  Paul got to #4 in 2008 with “Let Go” and Christian was the voice for Tiësto’s #3 “In The Dark” from 2007.  And along with “Turn On The Lights Again”, “But Not Tonight” also becomes the second cover in the Top 10 (the original is by Depeche Mode from 1986), the other being “Turn On The Lights Again” by Fred Again.. and Swedish House Mafia (#4) (which makes a new song out of a verse from Future’s 2012 track). LF System’s “Afraid To Feel” at #3 isn’t an outright cover but prominently samples Silk’s “I Can’t Stop (Turning You On)”.

Lily Lane’s exceptional “Bad” (22-17) from her EP Queen of Hearts is definitely one to watch in the coming weeks.

The Fastest Riser is Greyson Chance’s cathartic “My Dying Spirit” (26-18) from his album Palladium. It’s hard not to be moved or enthralled by this one as you listen to it more and more.

A lot of summer favourites exited the chart, so that made room for five debuts.

In a total surprise, Charlie Puth gets his first chart appearance in the five years since his #1 “Attention” with “Charlie Be Quiet” (#24) from his new album Charlie. It’s another quick (only 2:08) track, but it’s jam-packed with the racing thoughts in your head when you have a crush on someone and want to make your move. While I’m not crazy about the layers of production he (over) adds to his voice, it’s hard not to love this one!

Positivity and unity are the driving forces behind “Together” by Capital Cities and Bobby Nourmand which bows at #26. I got burned out on “Safe and Sound” years ago so it never charted, so I get to welcome Capital Cities to the chart with this independent release. Producer Bobby Nourmand however has been a frequent visitor, with two #1’s “D E E P in NY” and the double-A sided “Subterranean/Estranged”, but “Together” is his first appearance in four years.

With every listen I adore “Yours” by Conan Gray even more. So this album track from Superache arrives at #27. I’ve been seeing the online raves about Conan’s recent concert performances, as well as the kind outreach he gives to fans, so hopefully he’ll play my city again next year. “Yours” follows his #4 “Memories”.

Toronto pop/rock duo Crash Adams returns to the chart at #28 with another track keep you smiling, “Give Me A Kiss”. It’s their third visit to the chart and follows 2021’s #11 “Symphony”. Be sure to watch the video for the song above, it’s loads of fun and set in southern California!

The fifth debut is “Loop” by Martin Garrix, DallasK and Sasha Alex Sloan at #29. It’s another sparkling collaboration that shows the ongoing evolution of Martin Garrix. He can make a banger explode any day but something more nuanced like “Loop” is always more than welcome. It’s his 11th chart entry and follows the #5 “Won’t Let You Go” from earlier this year.

 

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link:  BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features! 

Radio GTA

Listen to The Big 20 from 10pm to Midnight EST on Wednesdays as “The Musicman” James Rogers and I bring you the latest in new songs.  The show also repeats on Saturday mornings at 10 a.m. EST and Sunday mornings at 2:00 AM EST. You can hear past episodes of The Big 20 at this link.

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free. “The Big 20” also airs on this station at 6pm EST Saturdays.

The 3D Variety Show by Planet Radio Canada

I’m featured Tuesdays between 7 and 7:30 pm EST with my New Music Pick of the Week which debuts every week on “The 3D Variety Show” with “The Musicman” James Rogers, and I also join occasionally for looks at music from our past through some live segments.  A repeat of “The 3D Variety Show” airs on Wednesdays at 7pm EST on Radio GTA.  My pick of the week airs 20 times during the week and you can view its schedule by clicking here.  You can hear past episodes of The 3D Variety Show at this link.

Addictive Energy (currently on hiatus but will return)

This is a weekly show hosted by Hunter Wilbur that airs on several online stations but is anchored at Mix88.ca on Sundays beginning at 8pm EST. You can hear past episodes of Addictive Energy at this link.

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side!

 

 

 

Classic song structure and a compelling chorus drive “Step By Step” by Dutch quintet @thewordisEUT

EUT, “Step By Step”

“Step By Step” confronts the feelings of loneliness when you’re in a relationship and the other person is no longer making an effort and has just got too comfortable. It’s brought to you by Dutch quintet EUT, led by Megan de Klerk, which spins bright synth and guitar melodies and rhythms against down-to-earth lyrics. Although the vocals and harmonies offer a lush sound, the production on them to me could have been scaled back in a less layered effect for such a direct song. But that’s my only quibble – the song has a classic structure which will transport listeners to great moments of 1970’s and 1980’s pop, and the overall result with “Step By Step” is an assured and amiable alt.pop sound. “Step By Step” will be a part of EUT’s upcoming album called Be My Reactor.

Meet Nashville-based Canadian singer/songwriter @JaclynKenyon who straddles pop and country with “Heart Says No”

JACLYN KENYON, “Heart Says No”

25 year old Burlington, Ontario born Jaclyn Kenyon has been performing and writing songs since she was a pre-teen when she received considerable notice in a prominent Toronto talent showcase. After that, she went to the U.S. where she worked and networked with numerous professionals who have too many credits among them to list here. Now based out of Nashville, after playing many local gigs and appearing on CMT, Jaclyn is finding herself straddling pop and country with “Heart Says No”. And that’s not a bad thing at all, witness the recent success of collaborations as diverse Elle King and Miranda Lambert, and Zedd and Maren Morris, and other efforts from singers like Gabby Barrett, Dolly Parton and Kelly Clarkson over the years to fuse pop and country together, like it once was in the long ago era of the 60’s and before. “Heart Says No” is certainly more pop than country with strong lyrics and a confident vocal that sink in after multiple listens and will stand out a crowded playing field. I’m no country music expert, but crossover country is cool when it succeeds and Jaclyn Kenyon is making that happen.

UK singer/songwriter @WaitingforSmith takes us to his church of love with “Skylight Dawn”

WAITING FOR SMITH, “Skylight Dawn”

I’m pleased to bring you another strong effort by Harry Lloyd, aka Amsterdam-based, UK-bred singer/songwriter Waiting For Smith. Although past efforts have highlighted his masterful guitar work, “Skylight Dawn” zeros in on his vocal and songwriting skills. “Skylight Dawn” touches on those moments of quiet epiphany when you notice all of the special things about your lover, and how great it is to be with them. And in the good company of singers like James Bay, Harry Styles and Ed Sheeran, Waiting for Smith’s vocal builds and builds and then busts loose in a splendid, memorable climactic moment. “Skylight Dawn” initially requires some close listening but after Harry’s voice soars you’re going to want to quickly press rewind and listen again to how it got there. It’s an unanticipated and delightful treat.

Nashville-based pop singer @DavisMallory feels the pain in a long distance romance in the super-catchy “James Bond”

DAVIS MALLORY, “James Bond”

Nashville-based Davis Mallory is no newcomer to the pop music world, having released two albums to date and a slew of singles, many in the pop/dance genre, that have acquired attention in various countries around the world. His new one, “James Bond”, is a super-catchy pop/dance track with an irresistible hook that you would normally find in a reggae or reggaeton track. It’s a story about a long distance relationship when the protagonist can’t be the “hero” to the one closest to him when they’re gone. Davis’ expressive vocal plays nicely against the island rhythm as the story unfolds. “James Bond” only takes a maximum of two listens before you’re completely drawn in. And Davis not only has the song in common with “James Bond” – of course the real name of “M” in the Daniel Craig films is Gareth Mallory!

“All By Myself” is a pop and dance radio hit in the making for @Alokoficial @Sigalamusic and @EllieGoulding

ALOK, SIGALA and ELLIE GOULDING, “All By Myself”

“All By Myself” is one of those songs that is loaded with elements that should ensure both pop and dance radio airplay, without being too overly familiar or overly reliant on the sample that it uses. The immense talent speaks for itself. Brazilian producer Alok has been popular for years on the club and festival circuit, and just recently scored a dance radio #1 with “Deep Down” with Ella Eyre along with a record deal with Sony. Sigala has also been a significant force through numerous hits in the UK since 2015. Bringing these guys together with Ellie Goulding is an ideal match. Ellie’s recent release with Big Sean, “Easy Lover”, was nothing short of promising but somehow got lost in the pop music shuffle after what looked like a good start out of the gate. “All By Myself” has the dominant hook, aggressive production, and a memorable sample in “Enjoy The Silence” by Depeche Mode, which should keep dance music fans happy in clubs and at festivals. But the song really does belong in the forefront on pop and dance music radio, and could give Ellie her biggest hit in some years.

NYC’s @RobbieRosenlive has another set of solid collabs – “Burning Bridges” with @Saxity and Ali Schwartz, and “Hurricane” with @Blackcode_djs and ASTER

 

SAXITY, ALI SCHWARTZ and ROBBIE ROSEN, “Burning Bridges”

BLACKCODE, ASTER and ROBBIE ROSEN, “Hurricane”

NYC former “American Idol” contestant Robbie Rosen churns out more high-quality music than any other artist that I know of, and also collaborates and mentors other young performers, such as Kacey Fifield, who you’ve also read a lot about in these blog pages. Robbie scores again with two more solid collaborations.

“Burning Bridges” reteams him with German producers Saxity, also much written about by me over the years, and American vocalist Ali Schwartz. Contrary to its title, “Burning Bridges” has a bright, uptempo melody that matches the old school flirty vocals provided by Ali and Robbie. Saxity always puts a lot of zip into their productions which makes “Burning Bridges” go down so easily.

“Hurricane” has Robbie in another fast-paced EDM setting through the combined talents of Italian producer Blackcode and South Korean producer ASTER. The song has a familiar vibe about it but Robbie’s vocal really soars and wrings out every bit of emotion to give “Hurricane” that much more added intensity.

Australia-based singer/songwriter @StHumain is on a roll with the romantic storytelling of “Tastes Like You”

ST. HUMAIN, “Tastes Like You”

Go back to those moments in time where you’ve had a bona fide crush on someone, and feel guilty about it because they’re with someone else, but don’t quite know how to let it go. Sydney-based Singapore-born singer/songwriter St. Humain is back (following up another stellar recent single, “Memento”) to give you some perspective on that scenario with “Tastes Like You”. Yes, you’ll fantasize and no, drinking won’t help that whiff of jealousy go away. It’s an enjoyable, totally on point story graced by one of St. Humain’s best vocals. And you’ll be singing along in no time.

Connecticut-based singer/songwriter @JULSspo returns with delectable alt.pop of “Heartbreaker”

JULS, “Heartbreaker”

With so much music out in the world, it’s hard to come up with a unique angle sometimes when writing songs. Connecticut alt.pop singer/songwriter JULS scores with “Heartbreaker”, which takes a hard look at the cycle of heartbreak and heartbreaking. The song’s about someone who is so heartbroken that they immediately want another relationship, and so ensues the ongoing heartbreaking when she can’t find who she wants. It’s a bit heavier a listen than the recent “Summer Thing” but JULS has an expressive voice that keeps your attention against a versatile electronic backdrop that augments the mystery behind the lyrics.